Sony Alpha SLT-A33 Overview


 

                                              Just three months after launching the NEX-3 and NEX-5 single-lens direct-view (SLD) cameras, Sony offers up yet another interchangeable lens alternative to the traditional DSLR, with the Alpha SLT-A33, and its closely-related sibling the SLT-A55. Instead of being mirrorless, the new digital cameras employ a "translucent mirror," more commonly known as a pellicle mirror. This advanced translucent mirror remains fixed in place during operation, allowing most of the light to reach the imaging sensor, while a small percentage is reflected to a dedicated autofocus sensor.
It's what this high technology allows that's so exciting: real-time, phase-detect autofocus while firing off up to seven 14-megapixel frames per second in the A33, and ten 16-megapixel images per second in the A55. Few other large-sensor cameras offer frame rates this fast. DSLRs rivalling the A33's speed are available for a little over $1,500, while only professional cameras that cost around $5,000 can match the speed of the A55 -- and they're still not capable of real-time autofocus between shots like the new Sony Alpha SLT cameras. Real-time phase-detect autofocus is also constantly available in Movie mode, something no current SLR can achieve.

While the translucent mirror design isn't quite as space-efficient as the mirrorless design of an SLD camera, it's still smaller than that of a traditional SLR, most of which need to provide room for the mirror to swing upward before image capture can commence. That translates to an uncommonly compact body by SLR standards, although it's still a bit larger than an SLD, especially in terms of body thickness. Unlike SLD cameras, though, the Sony SLT cameras all accept the entire line of standard Alpha-mount lenses, a significant advantage if you already own a large collection of Alpha-mount glass.
Since the translucent mirror only reflects enough light to provide for the autofocus sensor, not an optical viewfinder as most pellicle designs permit, Sony has adopted full-time live view in the Alpha A33 and A55. In place of the optical viewfinder from a traditional SLR, the SLT cameras have an electronic viewfinder with 1,152,000 dot resolution. The EVF LCD is time-multiplexed -- that is to say, it shows each color in sequence at every pixel location, rather than the separate, adjacent color dots of most electronic viewfinders. This makes it harder to distinguish individual pixels. The Sony SLT-series cameras also sport a wide-aspect 3-inch LCD with 921,600-dot resolution. Taking full advantage of the camera's full-time live view shooting, the super-slim LCD tilts 180 degrees vertically, and swivels 270 degrees for easy viewing from most any angle. The cameras also include TruBlack technology borrowed from Sony's picture frames.
Several hot features were brought over from Sony's NEX and Cyber-shot digital cameras, including Sweep Panorama, 3D Sweep Panorama, Auto High-Dynamic Range, and Handheld Twilight modes, each of which strategically combine and align several images into one seamless shot. It's pretty impressive stuff. As if that weren't enough, Sony has added an extra mode for the SLT-series cameras -- Multi-Frame NR -- which operates similarly to the handheld twilight mode, but allows the ISO sensitivity to be specified.
The Sony Alpha A33 lacks one feature found in the A55V (the only version of the A55 that's sold in the US market) -- a built-in GPS receiver. It's still possible to geotag images and movies from the A33, but doing so will rely on an external GPS logging device and PC software that can backtrack to calculate the location at which images and movies were shot -- not nearly as seamless a solution as the A55V's ability to geotag images and movies straight out of the box.
The Sony Alpha A33 accepts both Memory Stick Pro Duo / Pro-HG Duo, and SD / SDHC / SDXC media, and is powered by an InfoLithium battery pack.
The Sony A33 ships in the US market from mid-October 2010, with pricing of US$750 for the camera body and an 18-55mm kit lens, or $650 for the body only package.

Resolution: 14.20 Megapixels
Kit Lens: 3.00x zoom
18-55mm
(27-83mm eq.)
Viewfinder: EVF / LCD
LCD Size: 3.0 inch
ISO: 100-12800
Shutter: 30-1/4000
Max Aperture: 3.5
Mem Type: MS PRO Duo / SD / SDHC / SDXC
Battery: Custom LiIon
Dimensions: 4.9 x 3.6 x 3.3 in.
(124 x 92 x 85 mm)
Weight: 25.6 oz (725 g)
includes batteries, kit lens
MSRP: $750
Availability: 09/2010
Test Summary
(Mouse over items for explanations)
Power-on Time 0.8 sec
Shutter Lag,
Full Autofocus
0.215 sec
Shutter Lag,
Prefocused
0.102 sec
Shot to Shot time 0.98 sec
Continuous Speed 7.06 fps
(13 shots)
Best Macro 2.56x1.69 in
65x43mm
Viewfinder accuracy
(Optical)
99%
Viewfinder accuracy
(LCD)
99%
Distortion
(Wide Angle)
1.1%
Distortion
(Telephoto)
-0.0%
Battery Life
(CIPA standard)
270 shots


Pro: Con:
  • Extremely fast continuous-mode shooting at full resolution/image quality
    (High-speed shooting isn't just for sports; is a real benefit for candid/kid photography as well)
  • Live phase-detect autofocus during video recording
  • True (100% frame-accurate) main-sensor live view system
  • Competent 15-point AF system, better than average for its class
  • Good AF tracking during high-speed shooting and video
  • Excellent EVF image quality; among of the best we've seen
  • Very large, spacious viewfinder image in the EVF
  • EVF Data readouts, AF points, grid, and unique dual-axis level indicator are all excellent
  • Nicely-done digital level gauge; nice that it's available in EVF (difficult to do with conventional optical viewfinder)
  • Excellent rear-panel LCD, with swivel for down-low and overhead shooting
  • "Sunny Weather" brightness setting on LCD is first time we've really been able to see LCD images in bright sunlight
  • Handheld twilight and multi-frame NR modes are real breakthroughs in available-light SLR photography
  • Good body-based image stabilization system further extends low-light capabilities
  • Compatible with the full range of Sony Alpha-mount lenses as well as Konica Minolta AF lenses
  • Built-in flash can wirelessly control remote slave flashes
  • New Auto+ mode makes multi-shot exposure modes accessible for novice users
  • Very good resolution/detail overall
  • Very good image noise characteristics (similar to NEX series), but noise suppression loses detail at higher ISOs
  • 15x magnified live view option is great for checking focus
  • Quiet, unobtrusive shutter sound (no mirror slap)
  • Very good movie quality, in both MPEG and AVCHD modes
  • Stereo microphone jack
  • Good function menu layout; settings changes via control dial is nice/efficient
  • Very compact yet comfortable body design, even for larger hands; sculpted thumb rest makes for a secure grip
  • Solid body feel, good build quality
  • More exposure variability than we like to see
  • Overexposure bias in metering system under bright/high-key conditions
  • Short battery life compared to traditional SLR
  • Best-of-breed EVF still doesn't match optical viewfinder for highlight/shadow visibility
  • Succession-of-stills viewfinder images can make subject tracking difficult during high-speed shooting sequences
  • Time-multiplexed EVF display sometimes produces RGB "rainbows" with rapid eye, camera, or subject movement
  • Autofocus a little quick to jump to the background, if the AF point leaves the subject momentarily
  • Limited/no aperture control during high-speed burst or video recording
  • High ISO performance not quite as good as mirrorless or true SLRs with same sensor (translucent mirror reduces the amount of light reaching the sensor)
  • Internal mirror reflections can appear in images in certain situations (mainly occurs in night shots containing small, bright lights)
  • Lens AF actuation noise very prominent in audio track of videos
  • Sunny-Weather LCD brightness setting does lose highlight detail (hard to avoid, though, given how bright it is)
  • Modal playback showing only stills or videos (but never both together) is awkward
  • Viewer software (Image Data Lightbox SR version 2.2) is very buggy under Mac OS X 10.6
  • Fixed screen brightness in magnified live view can make it difficult to check focus on highlight and shadow areas
  • Video frame rate from sensor is 30p, frame-doubled to 1080/60i output
  • Very good body/grip design, but the small body can still be tiring when shooting with large lenses

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